ਅਸਲ ਫ਼ਾਈਲ(1,674 × 2,396 ਪਿਕਸਲ, ਫ਼ਾਈਲ ਅਕਾਰ: 888 KB, MIME ਕਿਸਮ: image/jpeg)

ਇਹ ਫ਼ਾਈਲ Wikimedia Commons ਦੀ ਹੈ ਅਤੇ ਹੋਰ ਪਰਿਯੋਜਨਾਵਾਂ ਵਿੱਚ ਵੀ ਵਰਤੀ ਜਾ ਸਕਦੀ ਹੈ । ਇਸ ਫ਼ਾਈਲ ਦੇ ਵੇਰਵਾ ਸਫ਼ੇ ਵਿੱਚ ਮੌਜੂਦ ਵੇਰਵਾ ਹੇਠ ਦਿਸ ਰਿਹਾ ਹੈ।

ਸਾਰ

ਵੇਰਵਾ
English: The Mamluks (literally `owned’, i.e., slaves) had controlled Egypt from 1250 until the Ottoman conquest of 1516-17, yet even then they still continued to govern Egypt for the Ottoman Sultan, while paying tribute. Originally they had been a military caste of former slaves serving the Egyptian sultans. Young boys, mainly Kipchak Turks from regions north of the Black Sea, were bought from slave dealers and trained as warriors by previous generations of Mamluk amirs or commanders. They were set free on reaching adulthood, given a horse and arms, and then took employment with their former masters. In 1250, a group of Mamluk generals seized power from the Ayyubid dynasty, and ruled Egypt, even after the Ottoman conquest, until the time of Napoleon’s invasion in 1797. Under the Mamluk Sultan Baybars, they had even defeated the Mongols in a pitched battle in 1260. Although to the end spectacularly brave horsemen, their power slowly declined. The Egyptian economy was weakened by the rise of European trading rivals and new trade routes, and by devastating visitations of the plague. After surviving the invasion by the French, and then the British, the Mamluks struggled on. Yet, apart from a few survivors, the most prominent were finally eliminated in a treacherous massacre by the new ruler of Egypt, the Albanian general Muhammad Ali in 1811.
This is one of twenty-one costume figure studies, probably intended for illustration, by Page in the Museum’s collections. They show Ottoman subjects of various ranks and occupations, both male and female. Page recorded in fine detail their elaborate costumes in the last years preceding the modernising reforms that steadily eroded many traditional forms of dress and behaviour. It is not clear how many Mamluks survived the massacre by Muhammad Ali in 1811, but the detail of the costume of this individual, and that it seems to be a kind of portrait, implies that Page saw this survivor first-hand. Unlike Henry Alken’s preoccupation with horses [See SD.17], Page has focused his attention on the remarkable costume, including the embroidered shawl round the waist and the distinctive turban. The fact that he was a horseman is only suggested by the rope he is holding, and the long lance that had made the Mamluks so feared in battle.
ਮਿਤੀ circa 1,816.0 - circa 1,824.0
date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1816-00-00T00:00:00Z/9,P1326,+1824-00-00T00:00:00Z/9,P1480,Q5727902
(painted)
ਸਰੋਤ https://collections.vam.ac.uk/item/O147702/watercolour-a-mamluk-from-aleppo/
ਲਿਖਾਰੀ Page, William, born 1794 - died 1872 (painter)

ਲਸੰਸ

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
{{PD-Art}} template without license parameter: please specify why the underlying work is public domain in both the source country and the United States
(Usage: {{PD-Art|1=|deathyear=''year of author's death''|country=''source country''}}, where parameter #1 can be PD-old-auto, PD-old-auto-expired, PD-old-auto-1996, PD-old-100 or similar. See Commons:Multi-license copyright tags for more information.)

Captions

Add a one-line explanation of what this file represents

Items portrayed in this file

ਚਿਤਰਨ

checksum ਅੰਗਰੇਜ਼ੀ

82da6e01c47c11f116bd8a4d2e483153ffd1e4d4

determination method ਅੰਗਰੇਜ਼ੀ: SHA-1 ਅੰਗਰੇਜ਼ੀ

9,09,653 ਬਾਈਟ

height ਅੰਗਰੇਜ਼ੀ

2,396 ਪਿਕਸਲ

width ਅੰਗਰੇਜ਼ੀ

1,674 ਪਿਕਸਲ

ਫ਼ਾਈਲ ਦਾ ਅਤੀਤ

ਤਾਰੀਖ/ਸਮੇਂ ’ਤੇ ਕਲਿੱਕ ਕਰੋ ਤਾਂ ਉਸ ਸਮੇਂ ਦੀ ਫਾਈਲ ਪੇਸ਼ ਹੋ ਜਾਵੇਗੀ।

ਮਿਤੀ/ਸਮਾਂਨਮੂਨਾਨਾਪਵਰਤੋਂਕਾਰਟਿੱਪਣੀ
ਮੌਜੂਦਾ21:05, 15 ਨਵੰਬਰ 201221:05, 15 ਨਵੰਬਰ 2012 ਵੇਲੇ ਦੇ ਵਰਜਨ ਦਾ ਅੰਗੂਠਾਕਾਰ ਰੂਪ1,674 × 2,396 (888 KB)Ras67losslessly cropped with Jpegcrop
07:24, 20 ਮਾਰਚ 201207:24, 20 ਮਾਰਚ 2012 ਵੇਲੇ ਦੇ ਵਰਜਨ ਦਾ ਅੰਗੂਠਾਕਾਰ ਰੂਪ1,803 × 2,500 (886 KB)Sridhar1000

ਇਹ ਫਾਈਲ ਹੇਠਾਂ ਦਿੱਤਾ ਸਫ਼ਾ ਵਰਤਦਾ ਹੈ:

ਫ਼ਾਈਲ ਦੀ ਵਿਆਪਕ ਵਰਤੋਂ

ਇਸ ਫ਼ਾਈਲ ਨੂੰ ਹੋਰ ਹੇਠ ਲਿਖੇ ਵਿਕੀ ਵਰਤਦੇ ਹਨ:

ਮੈਟਾਡੈਟਾ